Scorsese is certainly the great Catholic filmmaker of our times, one who regards sin as something that must be confronted or even embraced in order to be understood.

François Ozon has created a film that is connected organically to its subject matter, one that breathes and writhes and grieves in synch with its victims.

Growing up, the plan for Pedro Almodóvar was to become a priest. Instead he became one of the world’s great directors.

In “Judy,” the utterly endearing Judy Garland—birdlike, brittle, addicted to pills and booze—is also a junkie for the standing O.

We must accept that Quentin Tarantino will never make a serious movie—by which is meant a movie that takes itself seriously.

“American Heretics: The Politics of the Gospel” is about like-minded liberal Christians joining forces in a ruthlessly Republican landscape where people talk more religion than they practice.

Woody’s penchant for self-sacrifice is just one of the aspects that has been recycled for “Toy Story 4” and while you would have to be a Grinch to find any faults in the new film, there are a few.

On June 17, 2015, a 23-year-old white supremacist killed nine African-Americans during a Bible study at the historic Emanuel A.M.E. Church.

There is a very Christian concept underlying “Rocketman,” namely Elton’s redemption—even if it is from his own biography.

There was a moment during “Aladdin” when I thought, “This would have made a terrific animated movie.”