Encountering Roberto Rossellini’s “The Flowers of St. Francis,” which turns 70 this year, will be an odd experience for most first-timers.

When someone refers to a “foul” system, he is not talking only about law enforcement and prosecution.

Patrick deserves better than green beer and leprechauns, and he gets it in a new documentary.

“Corpus Christi” is not a critique of Catholicism, though; it may not even be a deliberately Catholic film, writes film critic John Anderson.

The morality of the Academy Awards may be suspect. But there is a conscience at work.

A TV review is not, perhaps, the forum to determine that, but it should be noted that God is ever present.

“The Cave” is something of a talking-dog movie: You’re astounded it exists, never mind what it has to say.

A visit to the pope’s old haunts.

Let’s be real: When it comes to the best films of a given year, the best film is the one you liked best.

The film addresses the weightiest questions confronting the church—and not just about financial crimes and sexual abuse.