“Project Hail Mary” certainly qualifies as an uplifting experience at the cinema, being a mix of selflessness, sacrifice, camaraderie and even a certain amount of melancholy.
John Anderson
Posted inFilm
‘Marty Supreme’ review: Timothée Chalamet’s passage into cinematic adulthood
In making Marty Mauser a narcissistic and egomaniacal obsessive, Timothée Chalamet does a first-rate job of burying his own innate charms.
Posted inArts & Culture, Film
‘King of Kings’ is a children’s version of the New Testament. Your spiritual results may vary.
A children’s version of the New Testament, ‘King of Kings’ is based on a work by Charles Dickens that was written as a gift to his children.
Posted inArts & Culture, Film
Review: ‘Mary’ on Netflix presents the Virgin mother with an edge
“You may think you know my story,” says Mary, having galloped into the movie on horseback. “Trust me. You don’t.”
Posted inArts & Culture, Film
Review: ‘Bonhoeffer,’ Christian complicity and the fight against fascism
What separates “Bonhoeffer” from the myriad instructive Holocaust biographies and melodramas is its timing.
Posted inArts & Culture, Film
In ‘Small Things Like These,’ Cillian Murphy confronts the misery of Ireland’s ‘Magdalene laundries’
“Small Things Like These” is dedicated to the girls and babies who went through the Magdalene laundries, the last of which closed in 1996.
Posted inArts & Culture, Film
The ending of ‘Conclave’ will have audiences buzzing. But is it worthy of the film’s brilliance?
The Vatican of ’Conclave’ is worldly with men’s ambitions and weighty with papal history
Posted inArts & Culture, Film
I was worried ‘Cabrini’ would be another sappy religious movie. I was wrong.
My sense of dread over the film “Cabrini”? It was replaced by respect, even joy.
Posted inArts & Culture, Film
‘Poor Things,’ starring Emma Stone, is the movie of the year
In “Poor Things,” Emma Stone is Adam, in a sense, the product of a modern Prometheus, who will drive men wild. Which is both the funniest and pointed aspect of her picaresque tale.
Posted inArts & Culture, Film
Review: With ‘Killers of the Flower Moon,’ Martin Scorsese won’t absolve America of its original sins
“Killers of the Flower Moon” makes a case that 80 is the new 30: Martin Scorsese, the most prominent of American auteurs and champion of film history, continues as an octogenarian to explore and expand the possibilities of the medium and scour his own soul.