The tragedy of Dahl’s antisemitism isn’t that it colored his art but that it clouded his vision and tainted his outrage.
Theater
In ‘Every Brilliant Thing,’ Daniel Radcliffe embraces the sacramentality of small pleasures
On the list of things that make my life worth living, I can now gladly add the experience of seeing “Every Brilliant Thing.”
‘Liberation’ on Broadway jokes its way into hard truths about feminism
“Liberation” is, really, a play of ideas and argument, in the tradition of George Bernard Shaw or Tony Kushner.
In ‘Ragtime,’ the idea of a just, multiracial America is tragically incomplete
A new revival of ‘Ragtime’ plays like a dead-serious fable.
Why ‘Waiting for Godot’ is worth reviving—with Keanu Reeves and Alex Winter
This “Godot” is more brisk and playful than most, with one irresistible (if inadvisable) “Bill & Ted” reference.
‘Saturday Church’ and ‘The Brothers Size’: Stories of Black queer spirituality
For queer Christians of any race, the church has too often felt not like a loving home but rather a house of judgment.
‘Twelfth Night’ in Central Park is Shakespeare as we like it
The beloved Delacorte Theatre in Central Park has reopened as a sleeker, more comfy, more accessible version of itself. You could apply each of those adjectives to the show onstage as well.
‘John Proctor Is the Villain’ gives us a ‘Crucible’ for a post-#MeToo world
We may be used to #MeToo stories at this point, but Kimberly Belflower brings a new twist to a classic tale with ‘John Proctor Is the Villain.’
‘Unreconciled’: A clergy sex abuse survivor’s attempt to find healing through theater
”Unreconciled” looks abuse, disregard and callousness in the eye and witnesses instead to radical kindness.
Men behaving badly (on Broadway): Starry new productions of ‘Othello’ and ‘Glengarry Glen Ross’
In Broadway revivals of ‘Othello’ and ‘Glengarry Glen Ross,’ the spectacle of self-defeating male competition and betrayal is the main draw.
