This is the movie’s true monster—the possibility that self-surrender in the monastery and possession by a demon are basically the same thing.

In “Sorry to Bother You,” the system’s greatest threat—literal ownership of your time and person—is also its promise of relief.

“Hereditary” is a tense and deeply sad horror film that asks incisive questions—and then makes the mistake of giving answers.

From the very beginning, Christ came to deliver not only captives but their guards.

A church that can welcome homeless people only at their best will be a church where everybody fears to show their weaknesses.

The absurdity of "BoJack Horseman" offers an unrelenting, often devastating look into our own humanity.

Under the jump scares and the improvised weapons “Get Out” is subtle and disturbing.

Christianity, with its promise of a new life and an overwhelming love, attracts tumultuous people who feel driven by longings their loved ones can’t understand. What do our churches do with these burning souls?

How ancient traditions have inspired modern-day Christians to forge new bonds of commitment.

I love horror movies because they show me the sublime. I love them for a lot of other reasons too, I admit, depending on my mood. I don’t believe in a grand, unified theory of horror, or of any other genre of film; most genres are a welter of traditions and counter-traditions. Sometimes you wa