"The Song of Bernadette" follows a classic horror-film structure in order to make a theological point that could not be more urgent.

“The Happy Prince” covers only the last few years of Oscar Wilde’s life. When it touches on religion, it is intensely interesting.

"The Wolf House" is a Chilean political horror film that explores the traumas of childhood abuse.

“People who have never heard of Weegee can describe him,” Bonanos writes, because he created Hollywood’s idea of the newspaper photographer.”

This is the movie’s true monster—the possibility that self-surrender in the monastery and possession by a demon are basically the same thing.

In “Sorry to Bother You,” the system’s greatest threat—literal ownership of your time and person—is also its promise of relief.

“Hereditary” is a tense and deeply sad horror film that asks incisive questions—and then makes the mistake of giving answers.

From the very beginning, Christ came to deliver not only captives but their guards.

A church that can welcome homeless people only at their best will be a church where everybody fears to show their weaknesses.

The absurdity of "BoJack Horseman" offers an unrelenting, often devastating look into our own humanity.