More painful, though not treated in the exhibition, is the current situation of Sudan, which only became independent from British colonial rule in 1956.
There was something truly inspiring about the presence of these undocumented students at a moment that could very well determine their place in this country.
With “A Hidden Life,” the writer and director Terrence Malick set himself a bold and perhaps impossible task: using all the visual resources of film to represent faith itself.
A Christie parody for Trump’s America, where the embodiment of chastising justice isn’t the detective but the scapegoat, is a strange, potentially powerful concept.