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Voices
John Anderson is a television critic for The Wall Street Journal and a contributor to The New York Times.
Collateral Damage: Marcia Gay Harden, left, and Zac Efron, center, in 'Parkland'
Film
John Anderson
The most important news photographer of the 20th century was a Russian-Jewish immigrant clothing manufacturer from Dallas, Texas, who almost left his camera home on the day his life went crazy. Abraham Zapruder, whose half-minute film has fueled a half century of conspiracy theories, recorded a pres
Joseph Gordon Levitt and Scarlett Johansson in 'Don Jon'
Film
John Anderson
Joseph Gordon Levitt's 'Don Jon' is an Augustinian journey through cinematic excess.
Film
John Anderson
Baz Luhrmann presents an overwrought 'Gatsby' for the digital age
Film
John Anderson
If it only had a brain, one is tempted to suggest, Oz the Great and Powerful might have been as welcome as spring. Still, it is not an entirely brainless movie or completely lacking a heart. And it certainly has nerve: Positioned as the very presumptive heir to “The Wizard of Oz,” perhap
Photo courtesy of Magnolia Pictures
Film
John Anderson
The urgent message of 'A Place at the Table'
Jessica Chastain in 'Zero Dark Thirty'
Film
John Anderson
Kathryn Bigelow's 'Zero Dark Thirty' is a masterpiece of ambiguity.
Film
John Anderson
Steven Spielberg's 'Lincoln' is a canonization fer sure, as Abe might say.
Film
John Anderson

Paul Thomas Anderson's  'The Master'

Film
John Anderson

The documentary 'Tears of Gaza' casts a cold eye on a brutal conflict.

Television
John Anderson
John Anderson on the second season of PBS's 'Downton Abbey'