Voices
John Anderson is a television critic for The Wall Street Journal and a contributor to The New York Times.
In many ways, we still live in an Adolf Hitler world. The Middle East is his legacy; so is the configuration of post-Soviet Eastern Europe. And while it may seem like a subordinate concern, his indiscriminate kleptomania and infinite bad taste continue to reverberate through the world of art.To get
Film
The most important news photographer of the 20th century was a Russian-Jewish immigrant clothing manufacturer from Dallas, Tex., who almost left his camera home on the day his life went crazy. Abraham Zapruder, whose half-minute film has fueled a half-century of conspiracy theories, recorded a presi
Film
John Anderson reviews “American Hustle,” nominated for best picture in the weekend's Academy Awards.
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‘The Unbelievers’ follows two superstars of neo-atheism: Richard Dawkins and Larry Krauss.
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John Anderson reviews “Dallas Buyers Club,” nominated for best picture in the weekend's Academy Awards.
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The most important news photographer of the 20th century was a Russian-Jewish immigrant clothing manufacturer from Dallas, Texas, who almost left his camera home on the day his life went crazy. Abraham Zapruder, whose half-minute film has fueled a half century of conspiracy theories, recorded a pres
Film
Joseph Gordon Levitt's 'Don Jon' is an Augustinian journey through cinematic excess.
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Baz Luhrmann presents an overwrought 'Gatsby' for the digital age
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If it only had a brain, one is tempted to suggest, Oz the Great and Powerful might have been as welcome as spring. Still, it is not an entirely brainless movie or completely lacking a heart. And it certainly has nerve: Positioned as the very presumptive heir to “The Wizard of Oz,” perhap
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The urgent message of 'A Place at the Table'