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Voices
John Anderson is a television critic for The Wall Street Journal and a contributor to The New York Times.
John Anderson
In many ways, we still live in an Adolf Hitler world. The Middle East is his legacy; so is the configuration of post-Soviet Eastern Europe. And while it may seem like a subordinate concern, his indiscriminate kleptomania and infinite bad taste continue to reverberate through the world of art.To get
Film
John Anderson
The most important news photographer of the 20th century was a Russian-Jewish immigrant clothing manufacturer from Dallas, Tex., who almost left his camera home on the day his life went crazy. Abraham Zapruder, whose half-minute film has fueled a half-century of conspiracy theories, recorded a presi
BOOGIE FRIGHTS. Amy Adams, Bradley Cooper, Jeremy Renner, Christian Bale and Jennifer Lawrence in "American Hustle"
Film
John Anderson
John Anderson reviews “American Hustle,” nominated for best picture in the weekend's Academy Awards.
SALESMEN. Richard Dawkins, left, and Lawrence Krauss, in Oxford, England
Film
John Anderson
‘The Unbelievers’ follows two superstars of neo-atheism: Richard Dawkins and Larry Krauss.
Matthew McConaughey, right, in “Dallas Buyers Club”
Film
John Anderson
John Anderson reviews “Dallas Buyers Club,” nominated for best picture in the weekend's Academy Awards.
Collateral Damage: Marcia Gay Harden, left, and Zac Efron, center, in 'Parkland'
Film
John Anderson
The most important news photographer of the 20th century was a Russian-Jewish immigrant clothing manufacturer from Dallas, Texas, who almost left his camera home on the day his life went crazy. Abraham Zapruder, whose half-minute film has fueled a half century of conspiracy theories, recorded a pres
Joseph Gordon Levitt and Scarlett Johansson in 'Don Jon'
Film
John Anderson
Joseph Gordon Levitt's 'Don Jon' is an Augustinian journey through cinematic excess.
Film
John Anderson
Baz Luhrmann presents an overwrought 'Gatsby' for the digital age
Film
John Anderson
If it only had a brain, one is tempted to suggest, Oz the Great and Powerful might have been as welcome as spring. Still, it is not an entirely brainless movie or completely lacking a heart. And it certainly has nerve: Positioned as the very presumptive heir to “The Wizard of Oz,” perhap
Photo courtesy of Magnolia Pictures
Film
John Anderson
The urgent message of 'A Place at the Table'