The show's extreme makeover casts something of a spell but it comes off more and more like a self-serious period piece with some kicking tunes.

“Corpus Christi” is not a critique of Catholicism, though; it may not even be a deliberately Catholic film, writes film critic John Anderson.

As did Martin Scorsese in “The Irishman,” director Marco Bellochio poses challenging questions about guilt and the nature of truth in “The Traitor,” a film which does much to remove the glossy veneer of organized crime.

Mary Magdalene’s actual history, as Margaret Arnold tells us, is much richer than we think. The tradition’s appropriation of Mary Magdalene is much more intricate and complex—as the saint herself is complex.

At times “10 Things” feels like being witness to little acts of self-liberation.

The final season of “BoJack Horseman” gives many of its characters endings about as happy as they can manage.