The film can help teach us about elements of Ignatian spirituality, particularly the discernment of good and evil spirits.

In Ari Aster’s “Midsommar,” the devil is not an ugly monster hiding in the shadows—he is in the daylight, dressed in a white robe and a crown of flowers.

“American Heretics: The Politics of the Gospel” is about like-minded liberal Christians joining forces in a ruthlessly Republican landscape where people talk more religion than they practice.

Here are eight films in which Catholic horror speaks in less familiar accents, films I have never seen on other Catholic horror lists.

Woody’s penchant for self-sacrifice is just one of the aspects that has been recycled for “Toy Story 4” and while you would have to be a Grinch to find any faults in the new film, there are a few.

Joe Talbot’s film raises the question: what does it mean to belong to a place?