For the first time, viewers in the United States can see 193 of Hilma af Klint's earliest abstractions in “Hilma af Klint: Paintings for the Future,” at the Solomon R. Guggenheim Museum in New York City.
Following an acclaimed exhibition of the great French Romantic painter Eugène Delacroix at the Louvre in Paris, the Metropolitan Museum of Art opened, on Sept. 17, the first full presentation of the artist ever to be held in North America.
David Wojnarowicz's place in the history of American art is conflicted. He is likely best remembered for his involvement in the culture wars. But, removed from the stigma of a polarized culture war, what observations can we take away from this exhibition?