The complicity of ordinary Germans in the Holocaust is the central subject of two shows now running in New York City.

Two new Broadway productions cast these two towering figures in sharp relief.

‘Illinoise,’ the new dance-theater piece by choreographer Justin Peck, is as bespoke as Stevens’s carefully composed album.

It is only two decades old, but “Doubt” already feels like it’s been with us forever.

In an interview with Rob Weinert-Kendt, the playwright John Patrick Shanley discusses the continued resonance of ‘Doubt.‘

“Terce: A Practical Breviary” doesn’t feel all that far from a worship experience—at least, what an ideal worship experience might be.

For playwrights, family dramas are never just about families.

Three new Off-Broadway shows don’t just show us what draws musicians to their chosen medium; they make us hear it, with often bracing effect.

Sondheim has left the building, and he lives on only in interpretation and iteration, no less than Shakespeare or Mozart.

In 'August Wilson: A Life,' an excellent new biography by Patti Hartigan, we read of the winding path that led Wilson to his ascendance, then delves into the tumults and triumphs of his two decades at the heights of achievement.