As did Martin Scorsese in “The Irishman,” director Marco Bellochio poses challenging questions about guilt and the nature of truth in “The Traitor,” a film which does much to remove the glossy veneer of organized crime.

The movie doesn’t put the country in a particularly positive light.

The French animated film traces the harrowing journey of a severed hand through the streets of Paris

‘Little Women’ reminds us that death, despite its inevitability, is not permanent. It’s as temporary as falling asleep on a train.

Are this year’s Academy Awards the most Catholic yet? An interview with America’s film critic, John Anderson

The morality of the Academy Awards may be suspect. But there is a conscience at work.