Filmed over four years, the film is about the change that has come to Hoxton, the city’s latest chic, hipsterish district.

As did Martin Scorsese in “The Irishman,” director Marco Bellochio poses challenging questions about guilt and the nature of truth in “The Traitor,” a film which does much to remove the glossy veneer of organized crime.

The movie doesn’t put the country in a particularly positive light.

The French animated film traces the harrowing journey of a severed hand through the streets of Paris

‘Little Women’ reminds us that death, despite its inevitability, is not permanent. It’s as temporary as falling asleep on a train.

Are this year’s Academy Awards the most Catholic yet? An interview with America’s film critic, John Anderson