Sidney Poitier’s abilities as an actor were subtle, even spiritual. They were about soul. Not his. Ours.

In the end, what undermines “Don’t Look Up” is exactly what it condemns: a lack of humanity.

In an inversion of the typical Yuletide tale, characters who have much less than the McCallisters generously provide them with assistance.

Aaron Sorkin's take on the "behind-the-scenes" world of "I Love Lucy" depicts Lucille Ball in a most unsympathetic light.

“Belfast” presents itself as a family photo album: Violence may intrude, but it doesn’t crowd out the Christmas pictures.

What this quintessential stage musical needed, apparently, was a thoroughgoing cinematic makeover.