These movies are unlikely to convert unbelievers, because they demand a type of belief that requires unassailable evidence.

Instead of engaging women as persons, the film instrumentalizes them to push a political agenda.

"The Most Hated Woman in America" indicts Madalyn Murray O’Hair as no better than the corrupt religious leaders that she railed against.

François Ozon directs a parable set in the years immediately following World War I.

Under the jump scares and the improvised weapons “Get Out” is subtle and disturbing.

Louis Theroux's curiosity, open-mindedness and consternation is exactly why his films are successful; he will never run out of questions.