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Voices
John W. Miller is a Pittsburgh-based former Wall Street Journal staff reporter and co-director of the PBS film “Moundsville.”
Politics & SocietyFeatures
John W. Miller
Is there a way to fight back?
Photo: America/iStock
Politics & SocietyThe Moral Economy
John W. Miller
“From a Catholic point of view, there’s no question that reparations make sense.”
Photo: AP/America
Politics & SocietyThe Moral Economy
John W. Miller
In the United States, there is almost nowhere that is not simultaneously very rich and very poor.
Rosalind Russell as Hildy Johnson in ‘His Girl Friday’; Marty Baron, formerly of the Washington Post; and Steve Novotney, a newspaper entrepreuner in West Virginia (photos: Alamy, AP, and John W. Miller) 
Politics & SocietyThe Moral Economy
John W. Miller
Journalism gets attention when it breaks big stories about institutions like Enron and the Catholic Church. But they can only do that work if they are consistently read — and broadly trusted.
Photo: AP/iStockAmerica
Politics & SocietyThe Moral Economy
John W. Miller
The most ambitious attempt to unionize in Amazon’s 26-year history has been widely endorsed, including by Senator Marco Rubio.
Arts & CultureIdeas
John W. Miller
Bicycles are theologically sound. Ask Pope Francis.
Photo composite: AP/America
Politics & SocietyThe Moral Economy
John W. Miller
We live in the age of the aging, and our capitalist economy is struggling to cope.
Arts & CultureBooks
John W. Miller
In 'Superpower Showdown,' Bob Davis and Lingling Wei describe a new Cold War as the United States and China figure out how to manage the repercussions of China’s rise, including U.S. protectionism and tensions over Taiwan, military strength and human rights.
Jeff Bezos, Mark Zuckereberg and Pope Francis (AP)
Politics & SocietyThe Moral Economy
John W. Miller
More than any previous pontiff, Francis has been lobbied by C.E.O.s to soften his skepticism about capitalism, and he in turn has pressed them to better serve the poor and the planet.
Glenn Close as Mamaw in ‘Hillbilly Elegy’ (photo: Netflix)
Arts & CultureFilm
John W. Miller
Let’s unpack this critique, because how the poor are represented matters.