Artist Angela Manno creates Byzantine Russian-style icons of threatened and endangered plant and animal species. And they are really extraordinary.

The conversation of “The Pope: Answers” offers a provocative image of what church could be.

If “Succession” ends as a sort of Shakespearean tragedy, as all signs thus far have suggested that it will, this week’s episode may well be the moment we look back on as that tragedy’s core.

In these Lenten and Easter days in which the church celebrates a man whose divinity was revealed in his willingness to sacrifice everything for love, consider "Sweeney Todd" to be that story’s dark, demonic twin.

A Reflection for Holy Thursday, by Jim McDermott, S.J.

Pope Francis didn’t wear Balenciaga. I can’t imagine he ever will. But if we keep our eyes peeled, it won’t be long before we see him do something just as eye-popping to reveal once again to us the challenging, merciful love of God.

In a time when we felt isolated, afraid and increasingly divided, The Times gave us a means to better understand what was happening and to stay connected with one another.

I’ve been thinking about Adam Sandler’s body of work as a whole, and I’ve realized that the kind of characters he often plays may have something to teach us about, well, Jesus. 

Learning a little more about Flipboard got me wondering what kind of vision of the Catholic Church you might find when the audience creating it is from around the world.

Hint: You actually can’t do it wrong.