For years, Paul Schrader refused to write a spiritual film—until "First Reformed."

“Vice” isn’t a dishonest movie, exactly. It just enables dishonesty.

Disney’s new sequel, “Mary Poppins Returns,” has a big umbrella to fill.

The best movies from this year were about family, both natural and improvised.

In adapting Baldwin for the screen, Jenkins produces an ode to black literature.

So what is it about these cheesy, mass-produced films that make them so irresistible?