Wahlberg recently called his new film, “Father Stu,” the “most important movie I’ve ever done” and “the best movie I’ve ever been a part of.”

Despite all of its references to Christianity, “Uncharted” offers us nothing more than a straightforward treasure hunt.

The film mostly reinforces a longstanding and problematic trope.

In “Camera Man,” the critic Dana Stevens uses the biography of the great silent film clown as a lens to explore the early days of movies, the cultural forces that gave them birth and the social upheavals they in turn engendered.

The Oscar nominee “Drive My Car” is a three-hour elegy whose quiet intensity intimates an emotional storm beneath the surface.

“As a Deaf person, I am exhausted at yet another mainstream story that pretends to be about my identity filtered through the eyes of the hearing other,” writes Garrett Zuercher.