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Stephen Ouimette and Nathan Lane in "Iceman Cometh."
Theater
Rob Weinert-Kendt
In 1912, at the tender age of 24, an aimless, alcoholic college dropout named Eugene O’Neill tried to commit suicide in a New York City flophouse called Jimmy-the-Priest. By then he’d already been married, had a son and divorced, and there was much more personal tumult to come in his eve
RAP BATTLE. Daveed Diggs as Thomas Jefferson and Lin-Manuel Miranda as Alexander Hamilton in 'Hamilton.'
Theater
Rob Weinert-Kendt
Depending on when you date its birth, it took rock music as much as a decade and a half to move from the pop charts to the Broadway stage, with 1968’s “Hair.” Hip-hop has been with us nearly twice as long—at least 30 years, if you measure by mainstream success—and as su
OLD CHUMS. Alan Cumming and the cast of “Cabaret”
Theater
Rob Weinert-Kendt
A show that skewers show business strikes a slippery bargain with its audience, and it can backfire. While we may smile knowingly at its insights into backstage chicanery and the cynicism of producers, and enjoy its winking parodies of other, implicitly lesser shows, a piece of entertainment intende
TABLE TALK. The cast of “Disgraced.”
Theater
Michael V. Tueth, S.J.
The provocative, gripping challenge of ‘Disgraced’
Theater
Michael V. Tueth
One of the most delightful forms of satire occurs when theater makes fun of itself. Some of the classics of the type include such hits as “The Royal Family,” Edna Ferber and George S. Kaufman’s parody of the Barrymore family, the reigning stars of Broadway at the time; Kaufman and
Emma Stone and the Kit Kat girls (Photo by Joan Marcus)
Theater
Rob Weinert-Kendt
A show that skewers show business strikes a slippery bargain with its audience, and it can backfire. While we may smile knowingly at its insights into backstage chicanery and producerial cynicism, and enjoy its winking parodies of other, implicitly lesser shows, a piece of entertainment intended to