If anyone doubted the damage a shallow, sanitized Marian ideal of womanhood could inflict—on women, on faith and on the church—Margaret Atwood’s 'The Handmaid’s Tale' shows us.

Beyoncé’s ‘Lemonade’ and ‘Amoris Laetitia’ were released a year ago. Both offer an important—often fundamentally different—look into love and marriage.

"His attempts to gain access to the church even led Scientologists to set their own cameramen on Theroux, taunting him that they were making a documentary, too."

Sor Juana Inés found both tension and sustenance in her religious life.

Jane is not the angry, repressed Catholic we have come to expect in pop culture.

The false sense of solidarity that comes with sharing an Oliver segment on Facebook is an invitation to apathy not resistance.