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Anna KeatingSeptember 01, 2017
Still image from the film "Look and See: A Portrait of Wendell Berry". 

We have largely forgotten a way of life in which Americans defined themselves by community, family, craft and religion. Few of us have known a poor man who owned his own tools for his trade or a working-class woman who ate from her own garden. We have forgotten what a craftsmanship of risk looks like. And yet as recently as my grandparents’ generation, half of Americans owned small businesses or lived off the land.

I was reminded of this watching Laura Dunn’s documentary, “Look & See: A Portrait of Wendell Berry,” which brings its viewers into the landscape, both interior and exterior, of the author, farmer and environmental activist. One of Berry’s poems, “Sabbaths III (Santa Clara Valley),” had been the inspiration for Dunn’s 2007 film “Unforeseen,” and Berry appears twice in the film narrating his poem.

In “Look & See,” Berry, now 83 years old, reads his essays in a Southern drawl over images of his working farm, the land he and his family have cultivated in Kentucky for five generations. He and his wife returned to this land after graduate school, in search of home and sense of place or, as William Faulkner once called it, “significant soil.”

The film tells Berry’s story without interviewing him on camera. Instead, it takes you into his world. You hear the sound of footsteps as an unseen person walks through the hills or around the farm. You get to know some of the people Berry loves: his wife and collaborator, Tanya, his daughter, Mary, and his fellow farmers, both industrial, subsistence and organic.

Berry is an advocate of small farms, rural communities and Judeo-Christian values like kindness, all of which have been harmed by “get big or get out” industrial agriculture.

His life and work bear witness to the fact that it is never Christian to say, “I can do whatever I want with my own land” or “my own body.” We are stewards, not owners. What’s more, the attitude of “I can do whatever I want” is toxic to earth and water, family and community. Berry, an early critic of mountaintop removal mining, writes, “I saw the poisoned river, the mountain cast into the valley.” Nature itself bears witness to the fact that it is not, in fact, all relative. Certain farming practices enrich the soil and worker’s well-being. Others deplete them. As Pope Francis reminds us in “Laudato Si’,” it is all connected.

Berry is an advocate of small farms, rural communities and Judeo-Christian values like kindness.

Tanya Berry defends the everyday acts of handiwork that help us live as humans, rather than as machines. She describes a life well lived as itself a work of art. “Making biscuits can be art,” she says.

The film interviews young farmers who would rather make less money in order to return to a way of life that they love, heeding Berry’s somewhat-famous exhortation: “Be joyful though you have considered all the facts.”

Though Berry is a Protestant, he embodies Catholic social teaching on economics. He is an advocate of well-distributed productive private property and believes that the small farmer who knows and loves his or her land will take the best care of it.

The film does not, however, vilify the hardworking farmers caught up in the agribusiness model. If anything, the viewer empathizes with them as they describe not being able to sleep at night, up to their ears in debt. What American cannot relate? Caught in a vicious cycle, they describe having to work longer and longer hours and lease more and more land to pay for their massive machines and industrial fertilizers, even as they watch their profit margins shrink and come to feel more like managers than farmers.

Though Berry is a Protestant, he embodies Catholic social teaching on economics.

And yet the film is hopeful, too, as it affirms that words and ideas matter and that it is possible to live a different way. One farmer who switched from growing tobacco for Philip Morris USA to growing organic row crops and running a community-supported agriculture farm ended up making more money in the end because of all the customers who were fans of Wendell Berry, an author the farmer had previously never heard of.

My husband and I own a small business, so I have a particular interest in Catholic social teaching and in distributist writers like G. K. Chesterton, Hilaire Belloc, Peter Maurin and Dorothy Day. Distributism is essentially the belief that productive private property should be well distributed rather than concentrated in a few hands or owned collectively. As Chesterton writes, the problem is not too many capitalists but too few. Societies are healthier when more people, so to speak, have skin in the game and when economics serve human relationships, not the other way around.

For Catholics, the family is the building block of society, and only if the cells are healthy will the organism flourish; thus the emphasis on family businesses and on working and living side by side. If we think of the work we spend the majority of our lives doing as merely a means to a wage, then we miss out on an important dimension of a fully human life: the need to make, to tend, to create, to foster relationships.

Distributist thinking seeks to unite what has been separated, labor and capital, through the ownership of small businesses and farms or through the ownership of tools and a trade or through participation in a guild, so that wealth is not consolidated in the hands of a few wealthy individuals (capitalism) or in the hands of the state (socialism). The life Berry has created and the views he espouses both are in line with this vision and can prove helpful to Catholics, serving as an antidote to the many ills of our time.

Some viewers might find Berry’s insistence that the “money economy is not the only economy” overly idealistic. I found it true. I have grown tired of a version of feminism that equates empowerment with anything that brings women money or power and that denigrates work that does not. Markets may not value my great grandmother’s quilt-making or my sister’s murals and gardening or the fact that my eldest sister has chosen to be a nurse practitioner in the poorest county in the state or anything that does not make sense from a purely economic point of view: having children, caring for an elderly family member, volunteering, caring for the earth. Yet, from a Catholic point of view, maximizing one’s profits can never be the only goal. Even those of us working in small businesses must ask not only, “What is good for me?” but also “What is good?”—even as we inevitably fall short. We must “practice resurrection.”

From a Catholic point of view, maximizing one’s profits can never be the only goal.

Despite his many awards and more than 40 published works, Wendell Berry is an author people either love or have never heard of. One of his primary subjects, the decimation (both social and environmental) of rural America, is not interesting, perhaps, to those who consider rural America “flyover country.” But now more than ever we need his prophetic voice to help us find our way back home.

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Randolph Lumpp
6 years 9 months ago

Dear Ms. Keating, Thank you for your insightful and timely article on Wendell Berry. Among other things it brings to mind what the late Fr. Walter J. Ong had to say about the root meaning of the word "Catholic." It does not, as in modern popular usage, mean "universal." The Latin "universal" means "turning-as-one," and it implies something uniform and closed in on itself like a circle. The Greek rooted "catholic" is process oriented. It means "throughout-the-whole," like the leavening that results from kneading yeast into many kinds of dough. It implies growth, inclusiveness and particularity. As Andrew Greeley (and others) have pointed out, the Catholic imagination is not "either-or" but "both-and." The "and" suggests that there is "more" available to choose from than just "this" or "that." Your contrast between Berry's approach (not his uniquely) and the drive for the homogeneity of big industrial capitalism and big totalistic statism invites us to contemplate alternatives for breaking the political and social deadlocks that are characteristic of our times. Beautifully done!

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