Matt Malone, S.J., remembered Father O’Hare as a “towering figure in the history of America magazine…insightful, warm and friendly, a world-class raconteur with a spellbinding Irish charm.”

One hundred years after the birth of cinema, the Vatican released a commemorative list of 45 great films. Now, 25 years later, America Media is here to expand the Vatican’s list with the most groundbreaking, impressive and beautiful films released since 1995.

“You can meditate on the Sunday Gospel on your own, consult a Bible commentary about the readings, gather your family to talk about the Gospel or call friends and share your experiences of how God is present to you, even in the midst of a crisis,” James Martin, S.J., wrote.

The Archdiocese of Seattle has been joined by numerous other dioceses, including those of Little Rock, Salt Lake City, and Santa Fe, in canceling public Masses. Major archdioceses, such as in Chicago and Newark, have undertaken similar precautious.

Archbishop Jerome E. Listecki of Milwaukee would not endorse the president's upcoming rally.

Fordham University announced on March 9 that, in addition to a prior decision canceling all on-campus activities, the university would only conduct classes online beginning on March 11.

To its benefit, “Sister,” directed by Joe Cardona and José L. Vázquez, does not focus exclusively on Sister Helen’s work against the death penalty but also discusses her early life and spiritual formation.

The setting of “West Side Story” is San Juan Hill, the nickname of the Lincoln Square area of Upper West Side of Manhattan—an area bulldozed and redeveloped into the Lincoln Center performing arts complex in the early 1960s.

Last November, 85.8 percent of voting students—2,438 in total—supported a nonbinding referendum that urged university trustees to sell off the then-10.6 percent of the university endowment that was invested in fossil fuel corporations by 2025.

As did Martin Scorsese in “The Irishman,” director Marco Bellochio poses challenging questions about guilt and the nature of truth in “The Traitor,” a film which does much to remove the glossy veneer of organized crime.