“Oppenheimer” is both a startling re-examination of American history and a bleak warning about the nuclear age.

In ‘The Miracle Club,’ Thaddeus O’Sullivan is unafraid to explore more serious topics, such as abortion and suicide, and to reckon with the lingering effects of communal grief.

The film adaptation of the 2021 novel of the same name, “How to Blow Up a Pipeline” misunderstands the potency of sustained nonviolent resistance.

Life-threatening mental health concerns affecting U.S. teens have reached a crisis point, complicated by a laundry list of social issues.

Ahead of the U.S. theatrical release of “In Viaggio: The Travels of Pope Francis,” America spoke with Gianfranco Rosi about his ideas for the documentary and how the film is a modern-day Stations of the Cross.

Seventy-five years after Gandhi’s death, when Hindu nationalism has risen to the highest echelons of the Indian government, his legacy in the nation he helped liberate is complex and, in some cases, denigrated.

For 25 years the Ignatian Family Teach-In has brought Jesuit educated young people together to learn more about the history of U.S. involvement in Central America and how Jesuit values can help them understand contemporary demands of social justice.

The Oscar nominee “Drive My Car” is a three-hour elegy whose quiet intensity intimates an emotional storm beneath the surface.

America spoke with Jessica Chastain and Andrew Garfield about the nature of faith and the singular courage of Tammy Faye.

Our invasions of Afghanistan and Vietnam may have different beginnings, but their ends show that we are capable of repeating basic mistakes, writes Ryan Di Corpo.