Torn between religious devotion and his own children, Tevye struggles to hold onto his faith in a new and uncertain world.

In “The Umbrellas of Cherbourg,” the ordinary becomes operatic and the everyday becomes extraordinary.

Living a double life requires lying to everyone around you, but it also requires lying to yourself.

“Singin’ in the Rain” inspires us to meet pivotal moments with creativity, cooperation and a desire to achieve the greatest possible good.

Would you believe that there’s a Jesuit rom-com? It sounds like a joke, but that is a fairly accurate description of “Crossroads,” a 2006 film written and directed by Murray Robinson.

The protagonist of “Porco Rosso” is a pig literally and metaphorically: He’s rude, cocksure and a notorious womanizer.

“The Godfather Part III” (1990) is the most explicitly Catholic entry in the series.

Despite his performative Catholicism, Michael Corleone puts more stock in the American vision of freedom than the Christian one.

The fact that audiences see the story as aspirational is more of a reflection on us as fallen people than the film itself.

“Sister Act” embodies the welcoming spirit of a church willing to go out into the street.