Ken Jennings’s “The Gospel of John” is now onstage at New York City’s Sheen Center through Dec. 29.

Christmas songs that invoke Jesus’ name or mention the Nativity story are not automatically more respectful than Christmas songs that don’t.

Can poetry matter? Yes. Can the Catholic writer today matter? Of course. But it is instructive that Gioia’s essay and book title does not ask the latter question.

The new show from Damon Lindelof is more than another high concept sci-fi series.

With “A Hidden Life,” the writer and director Terrence Malick set himself a bold and perhaps impossible task: using all the visual resources of film to represent faith itself.

A Christie parody for Trump’s America, where the embodiment of chastising justice isn’t the detective but the scapegoat, is a strange, potentially powerful concept.