Loading...
Loading...
Click here if you don’t see subscription options
Terrance KleinOctober 05, 2011

Profound insights into human life often come when a novelist offers us a scene that is initially hard to imagine, at least until we’ve entered it through the writer’s craft. Then it suddenly seems patent and true. And when the author is a great one, the gospel itself is proclaimed, because a literary masterpiece and the gospel are each, in their own ways, revelations of what it means to be human.

That said, here’s a small, unlikely—but oh-so-credible—scene of courtship. It’s from Dennis Johnson’s starkly moving new novella, Train Dreams, set in early, twentieth century Idaho. Notice how timid Robert Grainier is about accepting the love that life brings his way in the person of Gladys Olding, “a small girl just across the aisle from him, who sang softly during the hymns in a voice he picked out without any trouble.” Here’s the scene:

This was on a hot June day. They’d borrowed a wagon from Gladys’s father and brought a picnic in two baskets. They hiked over to Grossling’s meadow and waded into it through daisies up to their knees. They put the blanket beside a seasonal creek trickling over the grass and lay back together. Grainier consider the pasture a beautiful place. Somebody should paint it, he said to Gladys. The buttercups nodded in the breeze and the petals of the daisies trembled. Yet farther off, across the field, they seemed stationary.

Gladys said, “Right now I could just about understand everything there is.” Grainier knew how seriously she took her church and her Bible, and he thought she might be talking about something in that realm of things.

“Well, you see what I like,” he said.

“Yes, I do,” she said.

“And I see what I like very, very well,” he said, and kissed her lips.

“Ow,” she said. “You’ve got my mouth flat against my teeth.”

“Are you sorry?”

“No. Do it again. But easy does it.”

The first kiss plummeted him down a hole and popped him out into a world he thought he could get along in — as if he’d been pulling hard the wrong way and was now turned around headed downstream. They spent the whole afternoon among the daisies kissing. He felt glorious and full of more blood than he was supposed to have in him.

When the sun got too hot, they moved under a lone jack pine in the pasture of jeremy grass, he with his back against the bark and she with her cheek on his shoulder. The white daisies dabbed the field so profusely that it seemed to foam. He wanted to ask for her hand now. He was afraid to ask. She must want him to ask, or surely she wouldn’t lie here with him, breathing against his arm, his face against her hair — her hair faintly fragrant of sweat and soap...”Would you care to be my wife, Gladys?” he astonished himself by saying.

“Yes, Bob, I believe I would like it,” she said, and she seemed to hold her breath a minute, then he sighed, and both laughed.

How does this beautiful little scene preach the Gospel? I think it illustrates the Church’s deep truths about heaven and hell. Put another way, Denis Johnson retells Jesus’ parable of the wedding feast.

Heaven and hell are often misunderstood to be the reward, or punishment, for how we play the game of life, but that’s not true of either. The catechism doesn’t speak of heaven as a reward but as a relationship. It says that “live in heaven is to be with Christ.”

Put another way, heaven is the revelation of our destiny. It’s the place that love finally enfolds us. The issue isn’t that God rewards some with heaven and punishes others with hell. The issue is that some people live this life in a way that makes them ready for the incredible good fortune, the great blessing, the wedding feast that we call heaven. They live this timid trial in a way that readies them for the moment when love opens its arms and they respond. The saints are like Robert Grainier. They plummet down a hole and pop up into a world where they can get along in—as if they’d been pulling hard the wrong way and were now turned around headed downstream.

Conversely, God doesn’t damn anyone, though there probably are damned souls. They damn themselves by the cowardice, the smallness, the tight-fisted way of their lives. When heaven opens its arms, they can’t respond, can’t run the risk of letting their small selves slip back into the ocean that is the origin of self. To use the story of Jesus, they wander into the wedding feast, but they don’t know enough of the love therein to know where they are.

Christ’s parable and Johnson’s novel give us a different picture of the division we call heaven and hell. Don’t picture the line between them as a judge’s bench, with an extrinsic word of judgement being pronounced upon us. Picture instead a wedding feast, a proposal of love. Either we know that we’re in the right place, that we were created for this, that we’re finally headed downstream, or we simply can’t decipher the love before us, can’t recognize what is being offered.

He was afraid to ask. She must want him to ask, or surely she wouldn’t lie here with him, breathing against his arm, his face against her hair — her hair faintly fragrant of sweat and soap... “Would you care to be my wife, Gladys?” he astonished himself by saying.

“Yes, Bob, I believe I would like it,” she said, and she seemed to hold her breath a minute; then he sighed, and both laughed.

That’s the day we call judgement. That’s the question asked by God and, hopefully, the response of the soul. “Would you care to be mine?” “Yes, Lord, I believe I would like it.”

Terrance W. Klein

 

Comments are automatically closed two weeks after an article's initial publication. See our comments policy for more.
12 years 6 months ago
CS Lewis once quipped about hell, that insofar as the human mind recoils at the thought of it, we all experience a deep reality - hell is not made for us. And indeed that's what scripture testifies to as well when Our Lord spoke of hurling unrepentant sinners into the lake of fire "prepared for the devil and his angels".

In other words, "in the beginning" hell was not meant as a destination for human souls or human beings at all. But heaven WAS always prepared as places for us.

So going to Heaven is genuinely going to where human beings truly belong. Going to hell is to go to a place so utterly foreign and alien to our minds and souls as to be a truly horrific "intolerable" state.

But while hell is intolerable, so is evil if you care to really think about it in a non-emotional way. Sin is always an act that has a more or less sizable element of the irrational in it. But many sins we commit or experience have built in 'understandable' or excusable elements to them... we can all see how good intentions or lies we tell ourselves brought us to commit any number of sin. But others seem to have to redeemable qualities - genocide, malicious destruction of the innocent, etc. doing things "for the hell of it" - those things often shock us sinners in this valley of tears into a sense of vertigo, of suddenly aware of the close proximity of the abyss.

That we are all sinners but can be forgiven if only we acknowledge this fact - is a bedrock of Christian hope.

That some of us will choose the completely self-destructive, counter-productive, utterly wasteful malicious evil of gratuitous violence.... and die in such a horror filled state of mind.... has always been a challenge to Christian charity. But logically how could even a merciful God not respect a human soul's final choice as though it doesn't count (when the damage to innocent victims is indeed very real indeed)?

Thus Our Lord's prayer that urges us to pray to the Father..."deliver us from evil" which comes after we've already confessed our guilt, forgiven others and accepted once again His Lordship. 
12 years 6 months ago
Correction...

some sins have UNREDEEMABLE qualities..... !

The latest from america

During his general audience, Pope Francis reminded his listeners of the importance of the theological virtues of faith, hope and charity. Engaging the crowd by having them recite the virtues aloud, Francis said that theological virtues animate our everyday actions toward the good.
Pope FrancisApril 24, 2024
‘The Sound of Silence’ version of the ‘Our Father’ has been widespread throughout Latin America and U.S. Latino communities for the last few decades.
This cover image released by Republic Records show "The Tortured Poets Department" by Taylor Swift.
You always hope that your favorite artist’s best work is still ahead of them. But what goes up must come down.
Arthur Miller’s “Death of a Salesman,” which turns 75 this year, was a huge hit by any commercial or critical standard. In 1949, it pulled off an unprecedented trifecta, winning the New York Drama Circle Critics’ Award, the Tony Award and the Pulitzer Prize for Drama. So attention must be paid!
James T. KeaneApril 23, 2024