’The Inheritance’ is a portrait of millennial gay male life in New York City, and it is a picture both celebratory and cautionary.
“Corpus Christi” is not a critique of Catholicism, though; it may not even be a deliberately Catholic film, writes film critic John Anderson.
As did Martin Scorsese in “The Irishman,” director Marco Bellochio poses challenging questions about guilt and the nature of truth in “The Traitor,” a film which does much to remove the glossy veneer of organized crime.
The French animated film traces the harrowing journey of a severed hand through the streets of Paris
‘Little Women’ reminds us that death, despite its inevitability, is not permanent. It’s as temporary as falling asleep on a train.