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Richard A. Blake, S.J., served as managing editor and executive editor of America and director of the Catholic Book Club, as well as America's regular film reviewer for many decades. He is the author of Afterimage: The Indelible Catholic Imagination of Six American Filmmakers, among other books.

Film
Richard A. Blake
Many years ago, decades in fact, I was the object of an extraordinary kindness. In the very act of accepting this favor, however, I reacted with a remark of stupefying insensitivity. My benefactor recoiled visibly. The damage once done could not be undone. To describe the exchange in more detail wou
Film
Richard A. Blake
Art is a blood sport. Really. Someone, something must be sacrificed during the game, while heartless spectators stare in fascination at the suffering orchestrated for their amusement. Just think how many of the world’s greatest artists made a demolition derby of their lives, systematically wre
Film
Richard A. Blake
Sullivan’s Travels, the Preston Sturges movie from 1941, tells the story of John L. Sullivan (Joel McCrea), not the boxer, but a Hollywood director of highly successful light comedies. He is determined to change his image by adapting a ponderous social-message novel entitled O Brother, Where A
Film
Richard A. Blake
Road maps provide a wonderful metaphor for life. The thick double line of the Interstate marks the quickest, most direct route to our destination, but a nearly infinite number of blue and red side roads offer unimagined possibilities. By choosing the safe, direct route, we miss a great many of life&
Richard A. Blake
The Exorcist’ is back. A fresh review of a 27-year-old movie would surely tax the patience of even the most generous reader, but the reappearance of this now-classic horror film in its newly printed version with its enhanced sound and added 12 minutesnever before seen, according to the mislead
Film
Richard A. Blake
Pity poor Kansas! Deposited there in the dead center of the country, propping up Nebraska and oppressing Oklahoma, the state has been typecast by Hollywood screenwriters. When a poor girl gets bonked on the head, she hies out of Kansas as fast as her red slippers or white sneakers will carry her. Ev
Film
Richard A. Blake
This summer radio listeners in the Boston area have had a steady diet of ads for a touring company of Peter Pan. The attention-grabber is a line from its most familiar song: I won’t grow up; I don’t want to go to school. Great fun for all the family. Günter Grass, however, might have be
Film
Richard A. Blake
Dr. Sanford Cinematz, F.A.P.A., P.C.: Dreams. Yes, yes, your dream.
Film
Richard A. Blake
In his eminently forgettable "Stardust Memories" (1980), Woody Allen in the persona of a world-famous director in the Fellini mold, a kind of pizza made with Velveeta, catsup and Wonder bread, visits a college to participate in a leaden symposium on the art of the film. Rather than receivi
Film
Richard A. Blake
For years my shaving mirror has tried to convince me that I look just like Paul Newman: baby blues, wavy hair (with just a sprinkling of salt amid the pepper), sharp, assertive chin and that drive-the-ladies-wild roguish grin, with just a touch of worldly wisdom revealed in the perfectly etched line