Though Mary Karr might not consider herself a conventional writer of spiritual autobiography, her three memoirs have made this poet and professor a standard-bearer in the genre.

There’s much more to this story than glamour. At its heart, “Priscilla” is about a woman lost in a twisted marriage.

In 'Katherine Drexel and the Sisters Who Shared Her Vision,' the historian Margaret McGuinness has performed another valuable service to American Catholic history.

“Catch Me If You Can” returns to Christmas again and again, like a scab it can’t stop scratching.

In “Poor Things,” Emma Stone is Adam, in a sense, the product of a modern Prometheus, who will drive men wild. Which is both the funniest and pointed aspect of her picaresque tale.

Bradley Cooper's new Leonard Bernstein biopic, "Maestro," offers a portrait of a soul that struggled to determine which direction it wanted to take in the world of classical music.