Each day The New York Times, like most newspapers, publishes a television listing that includes a rundown of the day’s movies. But unlike most newspapers, the Times offers its own quirky assessments of these films, with an admirable economy of words.The paper’s reviewers are generous to

Here’s a question about the shows that have debuted during the past few weeks: What’s with all the cop/detective/law/forensics shows these days? C.S.I., C.S.I. Miami, Law and Order, Law and Order: Special Victims Unit, Law and Order: Criminal Intent, Crossing Jordan, Judging Amy, N.Y.P.D

It would be difficult to discuss the past year of television without first addressing the effects of Sept. 11 on the medium. Initially, pundits foresaw a dramatically altered post-9/11 TV landscape. After all, the first days after the terrorist attacks saw television at its near-best: solid coverage

In light of the events of Sept. 11, television seemsif this is possibleeven more banal than before. Despite the estimable Walter Cronkite's pronouncement at the much-delayed 2001 Emmy Awards that television helps to unite us and heal us and blah, blah, blah, it's hard not to look on the majo

Over the past few years, leaning and loafing at your ease, as Walt Whitman would say, when you pondered the coming of the year 2001, what came to mind? Did you imagine yourself strapping on your personal jet pack, à la George Jetson, and zooming off to a high-tech job in some space pad? Or did you

Currently, the best show on television may not be The West Wing, E.R., Sex in the City or even The Sopranos, a series that The New York Times, in an uncharacteristic burst of critical hyperbole, called the most significant work of popular culture in the last 25 years. No, the most satisfying show on