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Captain Charles A. and Sergeant John M. Hawkins, Company E, “Tom Cobb Infantry,” Thirty-eighth Regiment, Georgia Volunteer Infantry, 1861–62
Art
Leo J. O’Donovan, S.J.
For students of the American Civil War, it’s hard to imagine a better classroom this summer than the Metropolitan Museum of Art. Two sterling exhibitions there, one entirely devoted to photography, the other chiefly to painting, illumine the years from the Confederate attack on Fort Sumter, So
Elevation of the Eucharist, detail from the Della Rovere Missal Italy, Rome, ca. 1485–90
Art
Michael V. Tueth
A new exhibit provides a glimpse into the celebration of the Eucharist in the Middle Ages
Carolina Parakeet (Conuropsis carolinensis), Study for Havell pl. no. 26
Art
Karen Sue Smith
Just weeks before Pope Francis, in his inaugural homily, explicitly urged listeners to protect the environment, two art exhibitions opened in New York City, both of which explore the environmental theme through extraordinary renderings of birds. Surely Pope Francis, whose namesake is the patron sain
Adoration of the Magi, c. 1514
Art
Leo J. O’Donovan, S.J.
You’ve probably noticed that in many paintings of the Adoration of the Magi, the youngest of the three kings is a black man. You may know that this convention began in the last quarter of the 15th century, and also that “Balthazar,” as he came to be named, represented Africa, while
Art
Karen Sue Smith
"Crucifixion,” a wall-sized oil painting created by Renato Guttuso (1911-87), one of Italy’s finest modern painters, is widely recognized as a 20th-century masterpiece today. But a year after the painting was unveiled in Rome in 1941, during World War II, it sparked controversy. Gut
"Berlin Abstraction," by Marsden Hartley (1914-1915)
Art
Leo J. O’Donovan, S.J.
Delighting in the revelations of “Inventing Abstraction,” now at MOMA