“Catch Me If You Can” returns to Christmas again and again, like a scab it can’t stop scratching.

In “Poor Things,” Emma Stone is Adam, in a sense, the product of a modern Prometheus, who will drive men wild. Which is both the funniest and pointed aspect of her picaresque tale.

Bradley Cooper's new Leonard Bernstein biopic, "Maestro," offers a portrait of a soul that struggled to determine which direction it wanted to take in the world of classical music.

“The Holdovers” is a character-driven drama about unlikely friendships born of shared proximity.

Should a Catholic Church ever be a movie set? From our most iconic movies to some regrettable music videos, it's a question that has been asked many times and answered in different ways.

Perhaps no thinker influenced Catholic theology in the 20th century more than Yves Congar, O.P.