Road to Perdition begins and ends with a young boy looking out over Lake Michigan. His voice-over narration in the opening shot leads the way to the lengthy flashback that provides the story line of the film. The camera, however, stares out over the faceless waters with him, as though pondering his

Those of us of a certain age can sympathize with poor Cecily (Reese Witherspoon), a prisoner of grammar lessons taught by the indefatigable and assertively dull Miss Prism (Anna Massey). Oscar Wilde certainly did, when he put her in The Importance of Being Earnest. Yet those tedious days of Latin an

That delightful lull between the end of classes and the beginning of exams provided the perfect opportunity to catch up on movies missed during the last several months. As it turns out, Iand thus regular readers of this columnhave missed little. Two walls of the neighborhood video shop feature new r

For the last several months images of heroism have filled the media. The immediate heroes, the firefighters, police and rescue workers, have gradually been supplanted by brave survivors, mourning the dead and living for the future. Their stories have helped us through the horror, especially in this

What follows should come with a warning label for a goodly number of longtime readers. It is time for us Catholics to turn up the lights and take a second look at that brand of mid-century Anglo-Catholicism from both sides of the papal divide that dominated our undergraduate days.

Frantically searching for ways to postpone sitting down at the keyboard and trying to find something relatively new to say about the most over-analyzed film and social phenomenon of the year, I idly called up my favorite search engine and typed in harrypotter. The monitor blinked once and then came