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Film
Richard A. Blake
My presence at a midday meeting a few weeks ago was not essential. Surely, other demands on my time were more pressing, but for some strange reason as the campus carillon struck noon, even though I’d be a few minutes late, for some inexplicable reason, I decided to put in an appearance. I open
Film
Richard A. Blake
Syriana provides a valuable insight, one of those “Aha!” moments. Before sitting through this new film, brilliantly written and directed by Stephen Gaghan, I held the rather conventional belief that the news from the Middle East was relentlessly depressing because of the horrible events
Film
Richard A. Blake
Long, sweeping shots from the air reveal a sullen winter landscape. Frosty roads hint at a tentative incursion of humanity into this otherwise barren countryside, but otherwise the scene could be taken from a distant planet. The camera slides over the edge of a monstrous crater, fashioned by steel a
Film
Richard A. Blake
"Nattering nabobs of negativism” was the phrase Spiro T. Agnew used to describe the press when he addressed the convention of California Republicans on Sept. 11, 1970. The vice president had his own reasons for despising what he called “the effete corps of impudent snobs.” Loc
Film
Richard A. Blake
Broken Flowers needs no narrative. Bill Murray’s face says it all: unspeakably sad eyes that might once have had the twinkle of a comedian, pitted jowls and a mouth far too small and puffy for a face grown larger as his forehead nudges his hairline backwards. He stares intently at his huge pla
Film
Richard A. Blake
Can you find a connection between these three statements? 1. Hollywood complains that box-office is way down this summer. 2. When I was looking around for material for another film column that might interest America readers, I was driven to a month-old documentary about penguins. 3. Even with the ma