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Film
Jim McDermott

At the heart of “Kick-Ass” lies a fulsome rage directed at apathy and cowardice.

Film
John Anderson

While the concept of faith is never addressed in “Handsome Harry,” the entire film is built on it.

Film
Richard Leonard

How films can initiate the spectator into a world of transcendence.

Film
John P. McCarthy

Though it may scare you at times, the film “The Eclipse” ultimately bestows a sense of tranquility.

Film
Kerry Weber

"The Art of the Steal" presents a convincing case to keep the Barnes Foundation in suburban Philadelphia.

Film
Maurice Timothy Reidy

“The White Ribbon” is a bracing argument for the ubiquity of sin. But it has little to say about redemption.