Two new films on the lives of Mother Seton and Mother Cabrini are placing the spotlight on lesser-emphasized aspects of these holy women’s lives.

“Immaculate” is a cut above its cinematic cohorts, due in no small part to its decidedly feminist take.

In a somewhat predictable race, “Oppenheimer” took home seven Oscars, including “Best Picture.” Despite its dominance, however, it was not the only film to gain attention during this competitive awards season.

My sense of dread over the film “Cabrini”? It was replaced by respect, even joy.

“Anatomy of a Fall” suggests that a criminal trial is a game that rewards whoever can tell the best story most convincingly.

Greta Gerwig’s art reveals the truth that there is dignity in simply being a woman—an embodied, relational, imperfect woman.