The beloved Delacorte Theatre in Central Park has reopened as a sleeker, more comfy, more accessible version of itself. You could apply each of those adjectives to the show onstage as well.
Theater
‘John Proctor Is the Villain’ gives us a ‘Crucible’ for a post-#MeToo world
We may be used to #MeToo stories at this point, but Kimberly Belflower brings a new twist to a classic tale with ‘John Proctor Is the Villain.’
‘Unreconciled’: A clergy sex abuse survivor’s attempt to find healing through theater
”Unreconciled” looks abuse, disregard and callousness in the eye and witnesses instead to radical kindness.
Men behaving badly (on Broadway): Starry new productions of ‘Othello’ and ‘Glengarry Glen Ross’
In Broadway revivals of ‘Othello’ and ‘Glengarry Glen Ross,’ the spectacle of self-defeating male competition and betrayal is the main draw.
Why we need more Middle Eastern stories on our stages
Middle Eastern representation is notably scarce in New York. ”English” and ”A Knock on the Roof” seeks to change that.
Can one performance reinvent a classic musical? Audra McDonald does it in ‘Gypsy.’
Audra McDonald, our greatest living musical theater actor, transforms the role of Momma Rose in a stunning new revival of “Gypsy.”
‘Maybe Happy Ending’ is a musical about robots—but it’ll make you feel alive
With ‘Maybe Happy Ending,’ two first-time Broadway writers take a big swing—and hit a home run.
Three new musicals about fabulous and funny women
Age and its relationship to stardom is the animating subject of “Sunset Blvd,” “Tammy Faye” and “Death Becomes Her.”
Reviews: ‘Our Town’ returns to Broadway, and Jez Butterworth revisits 1950s England
Two new productions on Broadway—“The Hills of California” and ”Our Town”—meditate on theater as a kind of shared imaginative space.
‘Cabaret’ returns to Broadway: Facing the Nazis’ most diabolical crime on stage
The complicity of ordinary Germans in the Holocaust is the central subject of two shows now running in New York City.
