Rodgers and Hammerstein created tuneful diversions but also some of our nation’s most enduring entertainments.
Rob Weinert-Kendt
Rob Weinert-Kendt, an arts journalist and editor of American Theatre magazine, has written for The New York Times and Time Out New York.
Harry Potter is now on Broadway and it might never leave
“Harry Potter and the Cursed Child” is both a sequel to Rowling’s iconic seven-book series and a canny rehash of many of its tropes.
David Bowie: Rock’s enigmatic shape-shifter
A blockbuster exhibition profiles one of the 20th century’s great bridge figures.
‘Howards End’ is another period drama worth falling for
E. M. Forster’s masterpiece is a state-of-the-nation thesis in the guise of a real estate inheritance plot.
Why ‘Jesus Christ Superstar’ was live TV at its best
There is simply no ignoring the elemental power of seeing Jesus’ depicted, earnestly and largely reverently, on national TV.
‘Angels in America’ revival takes flight in a new political age
Tony Kushner’s two-part play feels both timely and timeless.
Arthur Miller examined by his daughter in a new HBO documentary
Rebecca Miller has made a film that pays complicated tribute to a complex man.
Malcolm X gets a Shakespearean treatment in a new play
But was the civil rights leader Brutus or Caesar?
How American Theater is wrestling with the Trump era
Three plays invite us to look back on the decade that launched Trump as a time of churning ambivalence and upheaval.
Sam Shepard: America’s show-us-who-we-really-are prophet
While Shepard’s plays would absorb different rhythms and influences, their essence and voice were unmistakably his—our—own.
