This Will Shakespeare is an insecure if well intentioned striver.
Rob Weinert-Kendt
Rob Weinert-Kendt, an arts journalist and editor of American Theatre magazine, has written for The New York Times and Time Out New York.
‘Gentleman Jack’ tells the story of a 19th century pioneer
The British period genre has been quietly retrofitted to accommodate a gay love story more familiar from our own time.
Four new Broadway shows attempt to answer the question: What are musicals for?
We live in an age in which new musicals can seemingly be about anything.
‘Hillary and Clinton’ and ‘Lear’: Upstaging male leaders
In Hnath’s play, Hillary has put all her bets on competence, while Bill unsurprisingly presses her to show more humanity.
A dynamic and damaged power couple face off in ‘Fosse/Verdon’
These two overachievers needed each other, even or especially when they were not together.
Keep or abolish the Constitution? A fiery debate commences on Broadway
Heidi Schreck’s new play puts the narrative of her own life in contention with the history of our nation’s founding document.
The return of Daniel Berrigan’s ‘The Trial of the Catonsville Nine’
The director Jack Cummings III has reimagined the play as a kind of found text, recited and enacted by three Asian American actors.
‘Rent’: A musical that’s difficult to love
All owe a debt to “Rent,” and I for one am happy to pay it.
Is ‘Watership Down’ really for kids?
A new Netflix miniseries brings out the story’s aspects of adventure and conflict, with occasionally pulse-pounding results.
“Mary Poppins Returns,” but what is she doing here?
Disney’s new sequel, “Mary Poppins Returns,” has a big umbrella to fill.
