In his sensational new play, Jeremy O. Harris posits that racism may poison our most intimate relationships.
Rob Weinert-Kendt
Rob Weinert-Kendt, an arts journalist and editor of American Theatre magazine, has written for The New York Times and Time Out New York.
Posted inArts & Culture, Film
‘Downton Abbey’ the movie: much pomp, little circumstance
The film’s central event—the overnight visit of King George and Queen Mary to Downton—is an occasion less for conflict than for catering.
Posted inArts & Culture, Theater
‘Novenas for a Lost Hospital’: An elegy for a place of sickness and grace
A new Off-Broadway play dives into the history of St. Vincent’s in Greenwich Village.
Posted inArts & Culture, Television
Shakespeare gets a sitcom in ‘Upstart Crow’
This Will Shakespeare is an insecure if well intentioned striver.
Posted inArts & Culture, Television
‘Gentleman Jack’ tells the story of a 19th century pioneer
The British period genre has been quietly retrofitted to accommodate a gay love story more familiar from our own time.
Posted inArts & Culture, Theater
Four new Broadway shows attempt to answer the question: What are musicals for?
We live in an age in which new musicals can seemingly be about anything.
Posted inArts & Culture, Theater
‘Hillary and Clinton’ and ‘Lear’: Upstaging male leaders
In Hnath’s play, Hillary has put all her bets on competence, while Bill unsurprisingly presses her to show more humanity.
Posted inArts & Culture, Television
A dynamic and damaged power couple face off in ‘Fosse/Verdon’
These two overachievers needed each other, even or especially when they were not together.
Posted inArts & Culture, Theater
Keep or abolish the Constitution? A fiery debate commences on Broadway
Heidi Schreck’s new play puts the narrative of her own life in contention with the history of our nation’s founding document.
Posted inArts & Culture, Theater
The return of Daniel Berrigan’s ‘The Trial of the Catonsville Nine’
The director Jack Cummings III has reimagined the play as a kind of found text, recited and enacted by three Asian American actors.