Two nuanced plays from Danai Gurira
Rob Weinert-Kendt
Rob Weinert-Kendt, an arts journalist and editor of American Theatre magazine, has written for The New York Times and Time Out New York.
Arguments With God: The spiritual side of two Broadway revivals
The spiritual side of two Broadway revivals
A View from the Edge: You can’t turn away from Ivo van Hove’s vision.
Arthur Miller’s ‘A View From the Bridge’ stripped to its essence is a painful family tragedy.
Missed Connections: ‘The Humans’ offers a fresh take on the family drama.
‘The Humans’ offers a fresh take on the family drama.
In Her Majesty’s Service: ‘The Audience’ takes a closer look at Queen Elizabeth
‘The Audience’ takes a closer look at Queen Elizabeth
Gotta Sing! : The state of the American musical is strong.
Ahead of the Tony Awards this weekend, a look at the state of the American musical
Death from Behind a Desk: ‘Grounded’ explores a new kind of war-making.
‘Grounded’ explores a new kind of war-making.
Friend of the Devil: Innocence and angst collide in Robert Askins’s ‘Hand to God’
The first act of violence in the funny, harrowing new play Hand to God is visited upon a helpless hand puppet. A shy, ambivalent teen, Jason, is trying to persuade his widowed mother to excuse him and Tyrone, the mangy homemade puppet that seems to have taken up permanent residence on Jason’s
From Rags to Revolutionary: ‘Hamilton’ tells a true American story
‘Hamilton’ tells a true American story
