In “Poor Things,” Emma Stone is Adam, in a sense, the product of a modern Prometheus, who will drive men wild. Which is both the funniest and pointed aspect of her picaresque tale.

Bradley Cooper's new Leonard Bernstein biopic, "Maestro," offers a portrait of a soul that struggled to determine which direction it wanted to take in the world of classical music.

“The Holdovers” is a character-driven drama about unlikely friendships born of shared proximity.

Should a Catholic Church ever be a movie set? From our most iconic movies to some regrettable music videos, it's a question that has been asked many times and answered in different ways.

Perhaps no thinker influenced Catholic theology in the 20th century more than Yves Congar, O.P.

Shane MacGowan once said that he was the one that God would use to save Irish music. Despite a public persona that was often less than saintly, he grappled with faith in many of his iconic songs.