For a few remarkable seasons, AMC’s “Better Call Saul” seemed not only as good as its predecessor, but in some ways arguably better.

Reality may have caught up to Philip Roth’s imagination.

Dana Higginbotham is the subject of an extraordinary new play by her son, Lucas Hnath.

The show's extreme makeover casts something of a spell but it comes off more and more like a self-serious period piece with some kicking tunes.

Series creator Andrew Davies has made explicit much of what is implicit in English novels of the period, including matters of sex and race.

Ken Jennings’s “The Gospel of John” is now onstage at New York City’s Sheen Center through Dec. 29.

The author of the play “Halfway Bitches Go Straight to Heaven” says prayer may be his most valuable writing hack.

The fall season has given us three wildly different case studies in Broadway’s pop/rock hybrids.

’The Inheritance’ is a portrait of millennial gay male life in New York City, and it is a picture both celebratory and cautionary.

The play is a verbatim reenactment of the F.B.I.’s hour-long interrogation of the Georgia intelligence contractor who was arrested for leaking classified documents.