I first listened to the operas of Richard Wagner when I was 11 or 12 years old. I have come to realize that spinning Wagner recordings was more an impish attempt at bravado than evidence of any great love for opera. When I found thick albums of Wagner at the local library and impulsively brought the

Teaching rock, hip-hop and religion

The Beatles’ arrival in the United States marked the beginning of a revolution.

When the San Francisco Opera premiered Mark Adamo’s opera, “The Gospel of Mary Magdalene,” on June 19th, there was some nervousness that the treatment would cause a backlash from those concerned about whether or not the production would uphold tradition regarding Christian gospels