Why can’t Hollywood reinvent ‘The Exorcist’? Money, lots of it, can be the only reason why any studio would invest in this franchise.

‘The Exorcist’ has popularized a trivial, superficial picture of the Christian understanding of evil.

Neither Barbie nor Oppenheimer directly apologizes or asks for forgiveness, and neither can truly dismantle the damage they have done.

Greta Gerwig has made a movie as layered and paradoxical as the reputation of Barbie itself.

“Oppenheimer” is both a startling re-examination of American history and a bleak warning about the nuclear age.

In ‘The Miracle Club,’ Maggie Smith and Kathy Bates do not expect quick cures at Lourdes, and viewers should not expect a perfect film. But there are some surprises among the clichés.