“The Cave” is something of a talking-dog movie: You’re astounded it exists, never mind what it has to say.

Little Women is having a bit of a moment.

In my experience the separation of priest from everybody else is neither helpful nor based on any kind of truth.

Echoes of “Saving Private Ryan” and “Apocalypse Now” are evident, but “1917” has a sense of relentlessness and time that is unique.

Let’s be real: When it comes to the best films of a given year, the best film is the one you liked best.

With “A Hidden Life,” the writer and director Terrence Malick set himself a bold and perhaps impossible task: using all the visual resources of film to represent faith itself.