Perhaps this is why Wes Anderson’s work resounds so strongly: We all long for homes to which we cannot return.

Sidney Poitier’s abilities as an actor were subtle, even spiritual. They were about soul. Not his. Ours.

In the end, what undermines “Don’t Look Up” is exactly what it condemns: a lack of humanity.

In an inversion of the typical Yuletide tale, characters who have much less than the McCallisters generously provide them with assistance.

Aaron Sorkin's take on the "behind-the-scenes" world of "I Love Lucy" depicts Lucille Ball in a most unsympathetic light.

“Belfast” presents itself as a family photo album: Violence may intrude, but it doesn’t crowd out the Christmas pictures.