For true Chicagoans, theirs is the greatest American city, and also the one most in need of change.
Rob Weinert-Kendt
Rob Weinert-Kendt, an arts journalist and editor of American Theatre magazine, has written for The New York Times and Time Out New York.
Interview: Did playwright Will Arbery predict the storming of the Capitol in ‘Heroes of the Fourth Turning’?
“There’s a war coming, dude,” says one character to another in “Heroes of the Fourth Turning.” Was she right?
Joni Mitchell’s ‘Archives Vol. 1’ show a songwriter navigating art and life before a record deal
Like a master painter’s sketchbooks, “Archives” is uniquely revealing of the roots of Joni Mitchell’s distinctive voice both as a singer and a writer.
Review: Viola Davis pays tribute to an irreplaceable Black culture in ‘Ma Rainey’s Black Bottom’
Chadwick Boseman also appears in his final performance before his untimely death.
Yes, Netflix’s ‘The Queen’s Gambit’ is worth the hype
Chess isn’t just a game, it’s also a handy metaphor—for braininess, for power, for geopolitical strategy.
‘The Good Lord Bird’ Review: Ethan Hawke’s John Brown is a (heavily armed) holy fool
‘The Good Lord Bird’ runs straight to the heart of America’s most toxic contradictions.
Madison Cunningham grew up playing in a church band. Now she’s playing Americana masterpieces.
The singer-songwriter is light years away from the praise music she grew up playing with her dad.
Fiona Apple’s ‘Fetch the Bolt Cutters’ is the album we need to survive quarantine
Apple’s new album feels like a sustained performance, dense with emotion and observation.
Review: ‘Better Call Saul’ arrives at the precipice of ‘Breaking Bad’
For a few remarkable seasons, AMC’s “Better Call Saul” seemed not only as good as its predecessor, but in some ways arguably better.
What if Americans turned to fascism in the 1940s? HBO’s ‘The Plot Against America’ offers an answer.
Reality may have caught up to Philip Roth’s imagination.
