With ‘Maybe Happy Ending,’ two first-time Broadway writers take a big swing—and hit a home run.
Theater
Three new musicals about fabulous and funny women
Age and its relationship to stardom is the animating subject of “Sunset Blvd,” “Tammy Faye” and “Death Becomes Her.”
Review: ‘Wicked’ challenges what we think about good and evil
“Wicked” arrives on a whirlwind of eager (and anxious) anticipation among fans of the musical.
Remembering James Earl Jones: the voice of God, a father and a compelling villain
James Earl Jones, who died this week, was a prominent figure on stage and screen. He also possessed a voice—and a presence—that has become iconic in American culture.
The lie that Mary Magdalene was a prostitute persisted for centuries. A new play reclaims her story.
“Magdalene: I am the utterance of my name” is advocating for setting the record straight on one of Christianity’s most vital disciples.
‘Cabaret’ returns to Broadway: Facing the Nazis’ most diabolical crime on stage
The complicity of ordinary Germans in the Holocaust is the central subject of two shows now running in New York City.
Stars Jeremy Strong and Steve Carell can’t save Broadway’s ‘An Enemy of the People’ and ‘Uncle Vanya’
Two new Broadway productions cast these two towering figures in sharp relief.
‘Death of a Salesman’ turns 75. And we’re still haunted by Willy Loman.
Arthur Miller’s “Death of a Salesman,” which turns 75 this year, was a huge hit by any commercial or critical standard. In 1949, it pulled off an unprecedented trifecta, winning the New York Drama Circle Critics’ Award, the Tony Award and the Pulitzer Prize for Drama. So attention must be paid!
How dance brings Sufjan Stevens’ music to the next level in ‘Illinoise’
‘Illinoise,’ the new dance-theater piece by choreographer Justin Peck, is as bespoke as Stevens’s carefully composed album.
‘Doubt’: A classic Catholic play returns to Broadway
It is only two decades old, but “Doubt” already feels like it’s been with us forever.
